New York Dolls return to Washington this Friday night, June 19, for a show at the 9:30 Club. Along with their old classics, they'll be playing songs from their new album "Cause I Sez So," produced by Todd Rundgren, who also produced their first LP way back in 1973. Tuesday, June 16, 2009
'Cause I Sez So!
New York Dolls return to Washington this Friday night, June 19, for a show at the 9:30 Club. Along with their old classics, they'll be playing songs from their new album "Cause I Sez So," produced by Todd Rundgren, who also produced their first LP way back in 1973. Monday, June 15, 2009
Two chances for Stoppard

Hello again. Well, it's been a while since I've posted. The reason? Oh, something about work and not having enough time. The usual story. But after spending a few months in the 1940s with Josef Stalin (www.pbs.org/ behindcloseddoors) and writing about punks in America (book to be published later this year), I'm happy to write a little about the great things going on in D.C.
In the past two months, Washington has had two top theater companies produce plays by the great Tom Stoppard. The Folger Theater (201 East Capitol Street, SE) has put on a wonderful version of Stoppard's "Arcadia" while the Studio Theater (501 14th Street, NW ) has been running his more recent "Rock 'n' Roll," the first local production of this play.
I was able to see both shows recently and strongly recommend them to anyone with a sense of humor and a decent dose of intellectual curiosity. No, you don't need to know much about English landscape gardening, Newtonian determinism, Prague Spring, British Communism, or The Plastic People of the Universe, subjects that Stoppard's characters discuss and debate. It's the questions behind these issues that draw us in: What attracts us to study and learn? How do people survive when they can't freely choose their own paths? What happens when people realize they've spent their whole lives believing something that isn't true? Stoppard looks deeply at these questions while weaving together story lines so tight that even mathematics becomes compelling. Or rather, the study of mathematics becomes compelling.
His plays generally draw a good crowd in Washington, and both of these plays have been extended. "Arcadia" ends next Sunday, June 21, while "Rock 'n' Roll," which opened in mid-April has been extended until Sunday, June 28.
Sunday, February 22, 2009
Great fun at the Lansburgh
The Shakespeare Theater's current offering, "The Dog in the Manger," may be the funniest play you've never seen by a playwright you've never heard of. Written by Spanish playwright Lope de Vega (1562-1635), who claims to have written 1500 plays (hmmm, really?), "Dog" looks at the role honor played in society, particularly when it came to love between people from different social classes. In this story Diana, the Countess of Belflor, finds herself drawn to her secretary, Teodoro, whenever she discovers Teodoro romancing her lady-in-waiting, Marcela. Compared to the two wealthy aristocratic fools wooing her, Teodoro is indeed a catch. But Diana can't let herself fall for a commoner . . . or can she? The acting is wonderful all around, but I have to mention David Turner as Tristan, Teodoro's servant. Built like Dana Carvey, and with similar gifts of mimickry, Turner shines every time his misguided but clever Tristan is onstage. It was one of the funniest performances I've seen on stage in several years. As directed by Jonathan Munby of the Royal Shakespeare Company, the action clips along, especially in the second act when Tristan's scheming pays off. Enjoy it now. At the Lansburgh Theatre until March 29. (Tip - check Ticketplace for discount tickets - they had them for this week.)
Friday, February 6, 2009
Prices for the times
Ticketplace (407 7th Street, NW) – sometimes mistakenly called the ‘half-price ticket booth,’ like the famous discount ticket booth in Times Square, Ticketplace sells discount tickets the day of the performance for a wide range of theaters, National Geographic, Goethe-Institut, and other venues that feature speaker
or film programs. They also sell discounted seats to some advance performances - you can even purchase some on-line at http://www.ticketplace.org. The tickets here are discounted to usually a little more than half the regular price plus a 12% service charge. The downside: you have to get there to order a lot of the tickets and you need to move quickly for the popular shows. Open Tuesday - Friday from 11 a.m. – 6 p.m. Saturday from 10 a.m. – 5 p.m. Closed on Sundays. http://www.ticketplace.org/tx_venue.asp?id=61&tgs=2157542:17958649&cart_id=
you name it, have been sold for years to benefit all types of charities. Use one buy-one-get-one-free ticket to the Shakespeare or Studio Theater, or have a nice dinner out, and you’ve paid for the entire book. The 2009 Washington DC/Maryland and Washington DC/Virginia books, regularly $30.00, are now on sale for $19.95. The downside: many discounts have some restrictions but this discount is so deep it might be worth seeing that play on Thursday rather than Saturday. http://www.entertainment.com/Tuesday, January 27, 2009
Actress Lynn Redgrave at the Folger Theater
Have you seen a performance at the Folger Theater? Housed in the Folger Library at 201 East Capitol Street, SE, about three blocks from the Capitol South metro station, the Elizabethan theater offers an intimate theater experience with top-notch performances. The Great Hall in the building is used for special exhibitions on early medicine, early newspapers, and other early this and thats related to Elizabethan times.This April, Lynn Redgrave will be coming to the Folger Theater with a new show, Rachel and Juliet. Redgrave stars in the one-woman show, which pays tribute to her mother, actress Rachel Kempson, whose love affair with the role of Juliet and search for her own Romeo lasted her whole life. Redgrave weaves Ms. Kempson's own words and passages from Shakespeare to create a companion piece to her Tony Award-nominated Shakespeare for My Father. (At least that's what the Folger's Web site says.)
Sunday, January 25, 2009
Academy Award nominees to be screened

Tickets go on sale today, January 26, $8.00 each or $35.00 for the series. (Last year they sold out.) Call the number below for the least expensive way to buy tickets.
National Geographic
1600 M Street, NW
Washington, DC 20036
The Class (Entre les murs) (France, 128 min)
Departures (Okuribito) (Japan, 131 min)
Revanche (Austria, 121 min)
Waltz With Bashir (Vals Im Bashir) (Israel, 90 min)
O happy day!
On inauguration day, this fellow (above) was, by far, the toughest and perhaps the craziest guy we saw on the national mall. (Photos on today's blog sent in by L.A. Hernandez).Things went well until we reached 1st Street, SE where we were forced to turn left – two blocks later we were surrounded by the thousands of ticketholders waiting to get into one of the security gates. By linking hands and arms we threaded our way through the crowd and walked down an offramp of highway 395, which was closed for the day. From there we crossed the road (past the infamous 3rd Street tunnel of despair) and scrambled up the embankment on the other side. Our trip was only beginning – we walked another overcrowded, cramped, squeezed 13 blocks before the throngs of security would let us move north toward the mall.
At 9:30 we reached the Washington Monument and found a spot on an embankment where we could (sorta) see a jumbotron and (semi-sorta) hear the not-so-loudspeakers. For the next two hours we took photos of the crowd, wandered around a bit, chatted, and tried to keep warm. The crowd was joyous. Though many people looked troubled by the cold, there was a great feeling of anticipation and excitement.

When the moment came for Obama’s swearing in, our screen and sound sync was so off, we could see him finish a sentence before we heard the first words. I doubt anyone watching on our side of the Washington Monument had any idea that John Roberts mixed up the words to the oath of office – we couldn't tell who was saying what. But we sure knew when the oath was over and Obama was officially the President. The crowd screamed, hugged each other, and jumped up and down. It was sheer joy. We stayed for the inaugural address, though by that time we were all talking about buying the DVD or catching what he said on-line at home. Too many sentences were lost to the struggling acoustics.

